BB 18 MS
BENJAMIN WILLIAMS LEADER, RA
Worcester 1831 - 1923 Shere, Surrey
Ullswater
Signed; signed and inscribed with the title on the reverse
Board: 9 x 14 1/8 in / 22.9 x 35.9 cm
Provenance:
Polak Galleries, London
Sale, Sotheby’s, London, 11th April 1972, lot 189
Literature:
Ruth Wood, Benjamin Williams Leader R.A. 1831-1923: His Life and Paintings, Antique Collectors’ Club, Suffolk, 1998, pp. 40-1
Although inscribed ‘Ullswater’ on the reverse, this small oil sketch is actually of a ferry crossing the head of Derwentshire Lake in the Lake District. Its spontaneity suggests that it was executed on the spot. There exists two larger finished depictions of this scene: one dated 1867 (16 x 24 in) and the other dated 1874 (28 x 42 in). Both of these are illustrated in Ruth Wood, Benjamin Williams Leader R.A. 1831-1923: His Life and Paintings, Antique Collectors’ Club, Suffolk, 1998.
Leader first visited the Lake District in 1867 and again the following year. Cumbria, like North Wales, was a county popular with both professional and amateur artists. Its notable literary heritage, most especially the poetry of Wordsworth, also served as inspiration and his stanzas were appended to many a Victorian landscape.
We are grateful to Ruth Wood MA for her assistance with the cataloguing of this work.
BENJAMIN WILLIAMS LEADER, RA
Worcester 1831 - 1923 Shere, Surrey
Born as Benjamin Williams, he added the surname Leader, his father's middle name, to distinguish himself from the Williams family. Upon abandoning a profession in engineering for art, he became a pupil at the Royal Academy in 1853. The following year he showed his first picture there, and continued to exhibit prolifically up until his death in 1923.
He achieved notable success with his painting, February Fill Dyke exhibited in 1881. It
remains one of the most famous Victorian paintings, and is a tribute to Leader's artistic talents. The Royal Academy elected him an associate in 1883, and academician in 1898. He also exhibited abroad, winning the gold medal and the legion of honour in Paris in 1889.
Leader was extremely popular in Victorian times and his work sold for high prices. Today he is recognized as one of the most accomplished Victorian landscape artists of his day. He usually chose scenes from the Midlands and the Thames valley, although he was also partial to Welsh landscapes, especially around Bettws-y-Coed.
His earlier work reflects his admiration of the Pre-Raphaelites, however, he later developed a broader, more naturalistic style. A realistic feeling of space and a lightness of atmosphere are characteristic of his work. James Dafforne, the contemporary art critic of the Art Journal, praised his work in glowing terms in 1871: ‘his style is a happy medium between excess of detail and over elaboration on the one hand, and a dash of execution on the other...we regard Mr. Leader as one of our best landscape painters.’
The work of Leader is represented in the Aberdeen Art Gallery and Museum, the Birmingham City Art Gallery, the Blackburn Museum and Art Gallery, the Towneley Hall Art Gallery, Burnley, the Bristol City Art Gallery, the Ferens Art Gallery, Kingston-upon-Hull, the Guildhall Art Gallery, the Royal Academy of Arts, the Tate Gallery and the Victoria and Albert Museum, London, the Manchester City Art Gallery, the Mappin Art Gallery, Sheffield, the Atkinson Art Gallery, Southport, the Royal Holloway and Bedford New College collection, Surrey and the Worcester City Art Gallery.